digit bears 1 sur 15
digit bears 1 sur 15
digit bears 1 sur 15
2020-04-27 (1)
2020-04-27 (2)
2020-04-27 (4)
2020-04-27 (25)
2020-04-27 (32)
2020-04-27 (34)

DigitBear

Stéphane Gautier

Video and calligraphy

60cm x 5cm x 45cm

Pièce originale singulière dans une édition de XX exemplaires

Emulators of a new series of animated paintings, the "Digit Bears" descend in direct line from the "Happy Bears" whose "Mini Collectors" constitute a founding repertoire in the initial work of Stéphane Gautier. Like a kind of heraldic inventory, the latter illustrate and decline in almost unlimited numbers the principle which consists for the artist in generating graphic spaces by summoning symbols against a backdrop of memories, fantasies, surprises, obsessions, desires, winks... As always, his custom-made bear holds the central place of icon halfway between totem and mascot, this time immersed in an artificial universe, a chimerical bit of moving images and projected in color. To see, the staggered sequences, but which follow each other, sometimes in tracking shot, sometimes in exploded view, some in low angle, others in crossfading, constitute the filmical basis of the “Digit Bears” now available in 60x45 cm format. Intuitive, inductive, their colors with necessarily virtual grain seem to obey a little more to the finger than to the eye! No doubt it is also that these one-minute micro-videos or mini-clips mark the digital transition between the analog and digital imagery of mainstream new media art and the Internet. By their cinematic agility, these short stories build in any case a kind of hyperlink between the more classic posture of the “Happy Bears” image showman and the more innovative one of the trainer. images of the “Digit Bears”, thereby introducing the perceptual mechanisms of a new style into the artist’s work. The fluidity of the computer process thus responds to the multiplicity of situations encountered through these first scenarios, which in summary manifest universal qualities, feelings specific to ordinary mortals but whose successive impressions leaf through, one would think, the pages of a book of hours being written, as well as fables carefully illuminated before our eyes. If they poetize as in funny dreams their traditional models of the "Happy Bears", the "Digit Bears" draw at the same time a new pictorial framework with Stéphane Gautier, suggesting for the artist that his colors and especially their continuous flow would be first in our mind and no longer in nature. At the heart of the device as a precious stone, the miniature bear again staged in the middle of the screen metabolizes, like a mysterious talisman, the electronic impulses and these millions of pixels diffused in their original plasma. À la croisée de l’art et de la technologie, voici donc que l’artiste programme dans son travail le prisme multimédia pour faire des formes et de la couleur l’occasion d’exposer sa propre simulation du monde, d’un monde en soi absolument spécifique. And this is only the beginning of his journey between shadows and rays of light... Original signed. Table: 60x46x5 cm. White wood frame, anti-reflection glass. Video duration 4.55 min. Collage on LED screen: teddy bear in aluminum and steel alloy, gold finish. Supplied with a certificate of authenticity. Music: Jealous Guy Typhoon and Keny Jammer. Led screen format: 21.5x12 cm, resolution: HD 720 (1280 x 720), 220v power supply. Consumption : < 20W. Electrical outlet: DC12V1A / 110~240V. Infrared remote control included.

Delivery

The delivery time for this work is 7 to 10 days.

Good to know

We are at your disposal to answer any questions you may have about this work. you may have about this work. Do not hesitate to contact us by clicking here.

About the artist

Portrait

Stéphane Gautier

Trained as a creative and designer, Stéphane Gautier imagines original concepts that start from his ideas and intuitions and for which he is like a conductor coordinating the various trades until the finalization. From this practice, which has earned him recognition in the world of design, he draws for his art a unique talent for deciphering symbols and images and transforming them into a universal alphabet, perceptible by everyone, in an immediate and direct link with the work.

Stéphane created his first picture at the age of 13, deciding to stick and paint his toys on a canvas. This first provocative gesture and artistic genesis, which, rediscovered years later, arouses emotion and recognition in all those who see the emotional objects that marked their past. After this founding impulse, Stéphane would never abandon his interest in childhood, the moment in which he believes one’s primary needs are expressed universally. There is no point in searching further for the reason behind the attachment that everyone brings to these works: they touch instinctively.

And yet, if Stéphane’s rooms arouse immediate empathy by their symbolic nature and the way in which they appeal to memory, this attraction also brings with it a more ambitious programme.
Make no mistake, if this visual artist charms us, it is to make us think more profoundly and feel the power of the image: a misappropriation of contexts such as “Happy Bears” forming flags, a manipulation of childhood through medicines in the shape of sweets, a troubling gap between form and substance when a group of small plastic soldiers comes together in a heart shape on the canvas.…
His creations are undoubtedly jubilant and display his expertise as much as his enthusiasm, moving from one medium to another, using all the possibilities of ready-made art to turn them into pictures, sculptures, surrealist or valuable objects… Everything, or almost everything, is shown here.

Understanding only comes as a second phase, however: the art of Stéphane Gautier is permanently shifting. By moving an object from one context to another, re-injecting the stereotypical symbols of childhood into an adult setting, he turns away from all traditional codes of art (pictures, paintings, sculptures, drawings) only to reappropriate them. And it is by way of this ironic distance that this intuitive creator invites us to a deeper consideration of the means of representation, of the effectiveness of advertising and propaganda, and finally of the sacralisation and misappropriation of childhood nostalgia.

Download the artist's catalog